Showing posts with label Bill Bruford. Show all posts
Showing posts with label Bill Bruford. Show all posts

28/09/2010

Rare video on Youtube!

You probably know Youtube can surprise us now and then... So today a friend sent me this link to a video of Yes at about 1970, with Bruford on drums and Kaye on keys, playing live in what seems an instrumental part of I See You, Then, or Yours is no disgrace... or none of them!
But I'm amazed at this short video, as almost all video footage of Yes pre-Yessongs is on playback and here they're playing live and wild.

At Youtube they say Howe is on the guitar, but I have my doubts. Do you think it's Howe or Banks? Please write a comment with your reasons.



PS: Another rarity I've recently seen on Youtube is another video of young Bill Bruford, this time with King Crimson playing Starless. Red (the last album of KC in the 70s) had no tour, but Starless was played in the band's tours from 1974, with different lyrics, with fiddle and without sax. Stunning video:

14/06/2009

Bruford - Beelzebub (1979)


Line-up:
Bill Bruford - drums
Dave Stewart - keyboards
Jeff Berlin - bass
Alan Holdsworth - guitar

The tune is a real mover, and it’s definitely Yes-like in its structure since it’s made up of a few different time signatures and a wonderfully busy progressive tempo. "Beelzebub" starts and halts suddenly, then shifts from frantic to smooth and soft to hard in an instant, illustrating Bruford’s rhythmic control and musical imagination. There’s plenty of energy spawned by Bruford’s use of the cymbals as well, and the transition from a busy state to a relaxed one works its way effortlessly through the other instruments, which do their bit at handing the track its jazzy surface.

Coming soon: a bootleg from a complete show of Bruford's self-titled band in 1980.

06/12/2007

1978 - UK


Out of the Blue - Live in Riviera Theatre, Chicago, Illinois, USA
20th July, 1978
Soundboard Recording

Lineup:
Eddie Jobson: Electric Violin, Keyboards and Electronics
Allan Holdsworth: Guitar
Bill Bruford: Drums & Percussion
John Wetton: Vocals & Bass

This band started in late 1976 when Wetton called Bruford to play in a band with Rick Wakeman. They rehearsed for 6 weeks before Wakeman left the projected band and re-joined YES for the "Going for the One" album.Bruford and Wetton wanted to carry on playing together, so Wetton invited Jobson, who was playing with Frank Zappa.He didn`t join them very soon because he had some work to do with Zappa`s band. Bruford recorded his first solo album "Feels Good to Me" in mid 1977, with Holdsworth (who had played with Soft Machine, Gong and Jean Luc Ponty) on guitar. When Wetton, Jobson and Bruford finally were rehearsing together, Bruford invited Holdsworth to the new band called "U.K.". They recorded this first album between December 1977 and January 1978. They toured during 1978, until they started to have problems due to different ideas about the musical style for the band: Bruford and Holdsworth wanted a more jazz- rock style for the band, while Wetton and Jobson wanted a more Pop-Rock (in the case of Wetton) and Prog Rock (in the case of Jobson) style for the band.
I think that the most interesting thing in this band, apart of the music played by these four very good musicians, is Bruford`s drums and percussion playing, with a lot of changes in time signatures and very good technique.Holdsworth has his most interesting playing in the songs "In the Dead of Night", "Thirty Years", "Nevermore" and "Mental Medication". He is a superb virtuoso guitarrist, who doesn't have many places to shine here, but when he's on the spotlight he's excellent. For the most part, Jobson is the main musician with his keyboards. Wetton plays his bass as good as usual, singing very good too.
(Parts quoted from Guillermo Vázquez, in http://www.progarchives.com/album.asp?id=1360)

Setlist:
01: The Only Thing She Needs
02: Carrying No Cross
03: The Sahara Of Snow
04: Thirty Years
05: By The Light Of Day
06: Presto Vivace
07: In Dead Of Night
08: Caesar's Palace Blues

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