A Wonderful 2008!

I desire a new year full of happiness to all Yes fans!
A tour by Yes wouldn't be a bad present...

Thanks for all the support, the nice commentaries and the many downloads...


1989 - Anderson, Bruford,Wakeman & Howe - Birmingham

October 24th, 1989 - Birmingham, England
Venue/City: National Exhibition Centre,
Source: Soundboard

In the late 80s, Jon Anderson was pretty tired of the Trevor Rabin dominated Yes. As described Steve:
Jon called and asked me if I thought it was the right time to start working together again. Speaking to him, I felt pretty instantly that something good could be gotten out of it. Certainly, that's what I'd hoped for, since Jon and I had always had a lot of fun writing together. (...) Jon's creative powers and imagination are quite enormous, so they need to be listened to like everybody else's ideas. When Jon spoke to me, he was calling Wakeman and Bruford as well. He got the same feedback from them that we could do it. At the first meeting we just talked about it, then we took it to the next stage by collaborating on the songs.
This way, ABWH was born. They released an album with new material (described by Bill: They're essentially Jon's songs. I had very little to do with them. I thought that Jon was on strong form for that album, yes, I thought he was on strong form.) and then they started touring.
To replace Mr. Squire on bass, the famous Tony Levin (who played with King Crimson, Peter Gabriel and more hundreds of people) was chosen. Steve says: He was a very logical and wonderful choice because of his association with Bill. We'd all admired im tremendously. The bass department was vacant, and Tony was a marvelous choice.
Did Tony replace Chris well? Many say yes, I have to say no. He's an accomplished and respected bassist, but he's not suited to Yes style. This concert here, from 1989, shows many things, and one of them is Squire's decisive role in Yes music, more evident when he's not around. Other complaints I do are about Rick's and Bill's modern timbres... Some keyboards have a rather new-age feeling that doesn't fit well in songs like Starship Trooper. I'm glad Rick would return to his moog in the 90s! Bill uses some electronic drums in Close to the Edge that spoilthe experience of finally hearing him playing this song live...
Sorry but I can't help being critic about ABWH. To counterbalance my opinion, I'll quote a review by Prosciutto, in Progarchives:
The performances on most of the songs are great specially on the ABWH numbers which are the highlights (...) About the Yes songs, the standout is without doubt Close to the Edge, this epic never had sounded so bombastic and powerful before, in addition the vocal performance of Jon Anderson is incredibly inspired, I think this is the definitive version of Close to the Edge. The rest of the Yes numbers are just OK.

ABWH are:
Jon Anderson > Vocals
Bill Bruford > Drums
Steve Howe > Guitars
Rick Wakeman > Keyboards
Julian Colbeck > Keyboards
Tony Levin > Bass
Milton McDonald > Guitars

Disc 1:
1. Time and a word / Owner of a lonely heart / Teakbois
2. Clap
3. Mood for a day
4. Wakeman Solo
5. Long distance runaround/Drum Solo
6. Birthright
7. And you and I
8. All good people
9. Close to the Edge
Disc 2:
1. Themes / Bruford-Levin duet
2. Brother of mine
3. The meeting
4. Heart of the sunrise
5. Order of the universe
6. Roundabout
7. Starship trooper

(some interviews quoted from Notes From The Edge)
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2006 - Steve Howe in New York

BB King's Blues Club
14 de Abril, 2006

In 2006, with Yes inactive, Steve Howe did some small shows, only he and his guitars.
This one here shows well the intimity feeling between him and the public. He talks a lot, about his blues influences, his limited ability to write lyrics, etc.
Besides, he plays some rare tunes, like songs from Natural Timbre and also Nine Voices (from The Ladder)

Kohno Spanish classical guitar:
01 Pre-show music 10:26
02 Applause 00:48
03 Surface Tension 04:37
04 The Ancient excerpt 04:39
05 The Little Galliard (Dowland) 01:48
06 Corkscrew 03:58
07 Classical Gas 03:37
08 Talking points 01:51
09 J's Theme 04:08
10 Concerto In D 2nd Mvt (Vivaldi) 02:28
11 Mood For A Day 03:52

Scharpach custom 12-string:
12 Winter from 4 Seasons (Vivaldi) 03:15
13 Masquerade 02:25
14 And You And I intro > Turn Of The Century outro 03:21
15 more stories 02:05
16 Sketches In The Sun 04:25

Portuguese 12-string:
17 Nine Voices 04:02


Martin 6-string steel cutaway:
01 Intro 02:09
02 In The Course Of The Day 04:30
03 To Be Over 07:18
04 Ram 04:01
05 Goin' Down This Road (Broonzy) 03:22
06 Intersection Blues 02:35
07 Merl Travis quotes 02:06
08 Second Initial 03:41

Line 6 Variax electric:
09 A Drop In The Ocean 02:42
10 variax demos 02:16
11 Whispering (Coburn, Rose & Schoenberger; arrangement: Atkins) 02:48
12 Dorothy 02:55
13 Meadow Rag 03:32

Fender lap steel:
14 Soon 08:25

Portuguese 12-string:
15 Your Move 03:35

Martin 6-string steel cutaway:
16 Clap 05:10

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REUPLOADED: 1969 – Live at Belgium

27 October 1969 – Amougies Festival

Bootlegs of Yes in their original formation are rare and few. This is one of those.

First, with the exception of "Then", they only play covers, including the rarely played "It's Love" from The Rascals which extensively features Chris Squire on vocals and bass (there is a version from Yes Album tour on the box The Word Is Live).

The show has the only live version I know of I See You, containing Pater Banks' long guitar solo that has been so much commented and considered by Jon one of the reasons he was fired from the band (Jon thought the solo was too long... I don't think he could dream of “Tales” at the time...).

Of course, Yes went on to make great music, arguably better and more accomplished, but there's a wildness and freedom to their early incarnation that was never seen later.

Lastly, the usual reminder about the sound quality - the tape recorder used was way below modern standards and the sound is nowhere near "professional" quality. This reservation aside, however, this is an unbelievable document of a legendary festival!

1-No Opportunity Necessary, No Experience Needed (Havens) (4:53)
2-Tuning problems (4:43)
3-Then (Anderson) (5:32)
4-It's Love (Cavaliere/Brigati) (14:39)
5-Everydays (Stills) (5:43)
6-I See You (McGuinn/Crosby) (14:24)
7-Something's Coming (Bernstein/Sondheim) (10:19)

Recommended for fans of early Yes

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1978 - UK

Out of the Blue - Live in Riviera Theatre, Chicago, Illinois, USA
20th July, 1978
Soundboard Recording

Eddie Jobson: Electric Violin, Keyboards and Electronics
Allan Holdsworth: Guitar
Bill Bruford: Drums & Percussion
John Wetton: Vocals & Bass

This band started in late 1976 when Wetton called Bruford to play in a band with Rick Wakeman. They rehearsed for 6 weeks before Wakeman left the projected band and re-joined YES for the "Going for the One" album.Bruford and Wetton wanted to carry on playing together, so Wetton invited Jobson, who was playing with Frank Zappa.He didn`t join them very soon because he had some work to do with Zappa`s band. Bruford recorded his first solo album "Feels Good to Me" in mid 1977, with Holdsworth (who had played with Soft Machine, Gong and Jean Luc Ponty) on guitar. When Wetton, Jobson and Bruford finally were rehearsing together, Bruford invited Holdsworth to the new band called "U.K.". They recorded this first album between December 1977 and January 1978. They toured during 1978, until they started to have problems due to different ideas about the musical style for the band: Bruford and Holdsworth wanted a more jazz- rock style for the band, while Wetton and Jobson wanted a more Pop-Rock (in the case of Wetton) and Prog Rock (in the case of Jobson) style for the band.
I think that the most interesting thing in this band, apart of the music played by these four very good musicians, is Bruford`s drums and percussion playing, with a lot of changes in time signatures and very good technique.Holdsworth has his most interesting playing in the songs "In the Dead of Night", "Thirty Years", "Nevermore" and "Mental Medication". He is a superb virtuoso guitarrist, who doesn't have many places to shine here, but when he's on the spotlight he's excellent. For the most part, Jobson is the main musician with his keyboards. Wetton plays his bass as good as usual, singing very good too.
(Parts quoted from Guillermo Vázquez, in http://www.progarchives.com/album.asp?id=1360)

01: The Only Thing She Needs
02: Carrying No Cross
03: The Sahara Of Snow
04: Thirty Years
05: By The Light Of Day
06: Presto Vivace
07: In Dead Of Night
08: Caesar's Palace Blues

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2007 - Fragile & Steve Howe

Live at Tilburg (2007-10-30)

Howe has been collaborating again with Yes tribute band Fragile. He was with them for Oct 2007 dates in the UK, Netherlands and Belgium on their 10th anniversary tour. Jon's voice is hard to match, but musically this is a great act. My favourite here is the medley "A Venture-South Side of the Sky", as A Venture was never played live by Yes.

Fragile opened with a set (including "The Revealing Science of God"), followed by a solo acoustic set from Howe, and then a joint set. The joint set included "A Venture", "South Side of the Sky" and "Gates of Delirium" (end section and into "Soon").

01 - Intro and opening firebird
02 - Perpetual change
03 - Revealing science of god
04 - Owner of a lonely heart
05 - Close to the edge
06 - Introduction to Steve howe

Steve Howe
07 - Howe solo - Second Initial
08 - Howe solo - In The Course Of The Day
09 - Howe solo - Intersection Blues
10 - Howe solo - Masquerade
11 - Howe solo - Ram
12 - Howe solo - Clap
(change the names of the songs, they are all named simply "Howe solo")

Steve Howe and Fragile
13 - Siberian Khatru
14 - A Venture - South side of the sky
15 - Soon solo
16 - Starship Trooper
17 - Roundabout

(partially quoted from http://www.bondegezou.demon.co.uk/wnsh.htm )

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1975 - Long Beach

June 23, 1975 Long Beach, California, US

The idea that Relayer formation was short-lived is wrong. Though they recorded only an album, they did many shows, in 1974, 75 and 76. The shows in 74 usually featured the entire Relayer and the entire Close to the Edge, leaving space only for a couple of other songs. The 75 shows were more variated, featuring solo spots, Ritual and a completely different, acoustic version of Long Distance Runaround. In 76, the set list would be similar, but without Close to the Edge, as Moraz playing this song was at least uninteresting, and without To Be Over, which the band was not that fond of.

This show, in 1975, has my favourite live version of To Be Over. Although the band stopped playing this soon after this show, Howe loves it and said, recently: “To Be Over” was so unplayed and unsung. It was like this song has just been forgotten about, or by Yes themselves, we had not played that song.
Another highlight is Sweet Dreams, in a completely new arrengement, very "Relayer-esque", with stunning solos of Moraz and Howe, and powerful drumming.
Moraz liked to change the songs, and this went well with simpler music, like Sweet Dreams. But in a complex suite like Close to the Edge, his improvisations are often disastrous. He should be forbidden to play it!
Ritual in this show has Moraz also giving his particular view to this song, using timbres and melodies similar to those he used in Relayer. The mellotron parts, for example, ressemble those in Sound Chaser. And in this tour Ritual included a quote from The Remembering.
In 1976 this song would get an arrangement with less freedom to Moraz, and he would play more similarly to Rick.

Set List:
Firebird Suite
Sound Chaser
Close To The Edge
To Be Over
Gates Of Delirium
Your Move/Mood For A Day
Long Distance Runaround/Moraz Solo
And You And I
Sweet Dreams

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1970/71 - BBC Sessions EDITED

BBC Studios, London
1970-04-07 (For Everyone), 1970-10-20(America), 1971-04-12(Clap)

June 05, 1971
Sportpalast, Berlin, Germany

There was some confusion here. The America I posted, believing to be from BBC, was actually from a show in Berlin, June1971. So I'm posting the actual America from BBC now.

(these are not the BBC Sessions (with Peter Banks) released on Beyond & Before: BBC Recordings 1969-1970)

Today I present three sessions from BBC, when Yes played one song in each.

For Everyone, with their original formation, is a longer arrangement than the one featured in Beyond and Before. It has 9 minutes, with a bass/organ solo of 3. The song was not released in a studio album, but part of it would become the Disillusion part of Starship Trooper (we can notice, in the difference of the arrangements, that this encarnation of Yes was very nice and powerful, but Yes with Howe would be much more original, which is shown in Disillusion, so different than everything they made).

America was perhaps played by Yes for the first time in this BBC session. It has a drums intro, and a very different and adventurous arrangement. Bill's drums are never what you'd expect them to be in this song! The original Simon and Garfunkel version included a verse that began "Toss me a cigarette, I think there's one in my raincoat" and ends "and the moon rose over an open field." Yes included that verse in this arrangement but excised it in 72.
Quoting a review from a show in November, 1970: "The climax of their show was a dramatic arrangement for Simon & Garfunkel's America that opened with a strange 1930's Berlin style intro played by Tony Kaye on organ and Steve leading into Jon's simple emotive vocals. Bill Bruford was a tower of strength throughout."

Clap is predictable as always, but has a great portion of Classical Gas in its middle. Steve said, back in 1970: "Clap is slightly influenced by Chet Atkins. It's a simple tune I used to play and expanded by putting in stop time breaks and bits from Mason Williams' 'Classical Gas' which I've always loved. Down in Devon the boys said they wanted to find a solo for me and this came up. I started playing it on a couple of gigs and it always goes down well. People don't know what to associate my guitar style with, blues or the underground. I want to do a solo album one day, but there is no hurry."
According to Mick D: "Theres a story behind... Yes wanted to do Starship Trooper but after five hours they had still not nailed it so with just a few minutes left howe recorded Clap so at least the session wasn't a complete waste" Later, in 1971, Starship Trooper would be broadcast at BBC, wchich said they were playing it live, but it's clearly the studio version! So don't be fooled: there's no BBC broadcast of Starship Trooper!

Sound quality: For Everyone is a radio broadcast, but BBC kept no record of it. This version was recorded from FM. America is the best version that can be found. Clap has a good guitar sound, but some constant noise behind.

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REUPLOADED: 1974 Detroit

28 February 1974

This concert is from the tour of Tales From Topographic Oceans. The band played all that album, and all of Close to the Edge, leaving space left only to Roundabout.
Soon after this concert, the band would drop The Remembering out of the set list, probably because it really didn't work well on stage. So this is one of the few times they played it live.
Highlights to me are Ritual and Roundabout, both featuring a band full of energy.
Sound quality is not the best, but all the instruments are very clear (and there's not Tales bootleg much better than this).

Set list:
Part one:
Firebird Suite
Siberian Khatru
And You And I
Close to the Edge
The Revealing Science of God

Part two:
The Remembering
The Ancient

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2007 - Rick Wakeman Live in Toronto

Rick Wakeman and the English Rock Ensemble
2007-08-19, Danforth Music Hall, Toronto, Canada

Rick's plan for this year's second semester was doing small tours with orchestra, playing The Myths and Legends of King Arthur and the Kinghts of the Round Table and Journey to the Centre of the Earth. For reasons unknown, it didn't work, so he did only a couple of normal shows with his English Rock Ensemble.
But the most interesting about this recent show are exactly the long parts of these two records that were played. Without the orchest
ra, he still played most of the albums, in arrangements for his rock group. And these new arrangements really rock!
The singer is Ashley Holt, whose voice is far away from what it was in the 70s. But the rest of the band is very good, and Rick does what only he knows to do, with dozens of keyboards (including playing backwards, as you see below!)

Disc 1:

Journey-Recollection-The Battle
The Forest

The Spaceman
Catherine Parr
The Visit

Disc 2:
Jane Seymour
Sea Horses
Wendy House
King Arthur
The Last Battle
Lancelot and the Black Knight
Merlin the Magician
Crowd Noise
Starship Trooper

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2002 - Las Vegas

Las Vegas Nevada USA 2002-08-25

This is a superb quality soundboard.
Probably a leak from the Westwood One archives, as WWO aired a 60 minutes edit of this show.
So this is not your typical stereo soundboard feed, but a multi track mix.
As you probably know, this show was right after Rick rejoined the band, so we can hear some minor errors in his playing, especially in the songs from Magnification. Jon is not familiar with South Side Of The Sky, which becomes very funny.
The setlist was interesting, including America and Yours Is No Disgrace. Chris and Rick are very prominent on the mix.
Curiosity: there's a law in Las Vegas that prohibits live concerts of during more than two hours, so they had to drop And You And I and the solo songs (To be over, Fish, etc).

Disc 1
01 Firebird suite
02 Siberian Khatru
03 America
04 In the presence of
05 We have heaven
06 South side of the sky
07 Heart of the sunrise

Disc 2
01 Magnification
02 Don't kill the whale
03 Awaken
04 Roundabout
05 Yours is no disgrace

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1977 - Northern Flight (Gothenburg)

1977-11-12 Gothenburg, Sweden PRRP017

(For those who don't know, PPRP means Progressive Rock Remaster Project, and is a project with some dozens of bootlegs of concerts by the 70s best known prog bands, like ELP and Genesis, most of the times remastered and with good sound quality. And nice artwork! Their bootlegs are free for sharing but should not be sold!)

Exactly 30 years ago, Yes was doing this show, in the end of their Going for the one tour. In this tour, they had a lot of fun. Rick was so happy to rejoin Yes, the band was also happy to have him back (they got rather tired of Moraz...), and they were enjoying doing shows.
You can feel this good vibrations here. They were satisfied with their new album, so they played it all. The title track and Parallels, especially, work wonderfully on stage, even better than on studio, in my opinion. Awaken was good, but would get better in their following tour (of Tormato).
Their last number was either Starship Trooper or Yours Is No Disgrace (here it's the latter), and they were much extended, achieving
14+ minutes. Expect something in the style of Yessongs' version, but at the same time in a different way. Howe's solos seem endless (which can be regarded as good or bad...)
1-1. Firebird Suite 1:54
1-2. Parallels 5:53
1-3. I've Seen All Good People 7:11
1-4. Close To The Edge 19:15
Wonderous Stories 4:16
1-6. The
Colours Of The Rainbow 1:18
1-7. Turn Of The Century 7:59
1-8. And You And I 10:10

2-1. Rachmaninoff’s Piano Concerto 1:32
2. Going for the One 5:33
'Flight' Jam 4:29
Awaken 15:35
Roundabout 8:46
Yours Is No Disgrace 14:00

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1970 - Every Little Thing

April 3, 1970. Cologne, Germany

This is one of the last shows with Peter Banks. The sound quality is better than the 1969 show in Belgium I posted here before. But not so good. The voice doesn't sound very clear, but guitars and keys are very good.
The show's repertoire is all from Yes and Time and a Word. Only 5 songs, as it was a big festival with Deep Purple, Soft Machine and others.
An exciting performance, you can see the band is having lots of fun. Bill's playing is awesome. Due to time restrictions, they couldn't jam too much, and that brought good and down-to-earth performances of No Opportunity Necessary, No Experience Needed and Everydays.

Set list:
No Opportunity Necessary, No Experience Needed
Every Little Thing
Astral Traveller

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2006 - Jon and Rick

Saturday 14 October 2006

Jon Anderson has been doing many solo shows in these last years, always with a very simple approach, simple one-man show with simple instrumentation. A show of 2004 can be seen here. Then, in 2006, he noticed that Rick was also fond of this approach lately (after touring with orchestras and big bands, he seems to have got somewhat tired of that), and they decided to do a short tour in England. The result was a unique show, more interesting than Jon's solo ones (in my opinion), as it combines Jon's beautiful - and, here, not laid back at all - voice, his most simple acoustic guitar, and Rick's well known style accompanying, here using only a grand piano.
I really miss the guitars, basss and drums on most songs, but if you regard them as new and surprising arrangements, it's a very interesting concert.
Simpler songs, such as Your Move and Roundabout, became better than some more complex, like Ritual. Rick's solo section is so good, I'm sure their fans will love it. Oh, and of course his talent as a raconteur and joker are as entertaining as his piano playing!
Leap of Faith (Part 1)
Yours Is No Disgrace
Leap of Faith (Part 2)
Wonderous Stories
Anyway and Always
All Good People
South Side of the Sky
Time and a Word
The Garden
Piano Medley: -Set Sail - Close to the Edge - Who could Imagine? - Mary Me Again - The Revealing Science of God
Give Love Each Day
Nous Sommes Du Soleil
Nursery Rhyme Concerto
Catherine Howard
Eleanor Rigby
And You And I
Turn of the Century
Owner of a Lonely Heart
Sweet Dreams
Deeper Love
The Meeting

An excerpt of Turn of the Century:

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2007 - Steve Howe Trio

19 May, 2007 Morecambe, The Platform, UK
In 2007, momentarily free from Yes, Steve Howe decided to tour with a jazz-blues-rock-country (summing up, all the music he likes) trio, formed by:
Steve Howe - Guitars
Dylan Howe - Drums
Ross Stanley - Hammond Organ

They reworked some Yes classics, and songs from Steve's solo career, with little respect to the original arrangements. The result is a very original concert, with a jazzy feel recreating completely some well-known songs, some less commented pieces, and a couple of jazz/blues standards from a guitarrist he admires, Kenny Burrell.
Mood For A Day has to be heard to be believed, it was transformed in an exciting 8 minutes long jazz number, with a steady 9/8 meter.
As usual, there's an acoustic session, with less original but perfectly played versions of Cactus Boogie(from Steve Howe Album), Sketches in the Sun (from GTR) and Intersection Blues (from Natural Timbre.)
I must admit some songs get too long and rather loose, like Momenta, originally a 3 minutes long in Quantum Guitar, here it almost achieves 11 minutes, without having so much to say. But except this one, most extended jams are very well delivered.
If you want to hear Steve improvisating, here's a holy grail for you.

Some videos of the trio can be seen at Dylan Howe's Youtube page:

Here is the group's myspace page:
where they say they're going to record a studio album in October (sady they seem to have postponed it...) and say their influences are:
Kenny Burrell
Wes Montgomery
Tal Farlow
Elvin Jones
Philly-Jo Jones
Roy Haynes
Jimmy Smith
Larry Young
Larry Goldings

Dream River,
Chitlins Con Carne
Mood for a Day
Blue Bash!
Close to the Edge

Medley – Freight Trane/Whispering/Trambone
Cactus Boogie
Sketches in the Sun
Intersection Blues
Kenny's Sound
The Haunted Melody
Sweet Thunder
Siberian Khatru

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1972 - Suite Distance

August 13, 1972 - Columbia, Maryland, USA

One of the best known bootlegs from Close to the Edge tour. In this show, they didn't play Close to the Edge yet, the song was so complex and they lasted a while to have courage to take it to the stages. But And You And I and Siberian Khatru are there, in fresh versions.
Yours Is No Disgrace is very extended, similar to the one on Yessongs, and with some vocals by Jon in the introduction.
And hearing Jon say things like "Uh.. that was a song from the new album we, we finished about a few weeks ago. It will be out in about 3 weeks. It's called 'Siberian Khatru'" is wonderful.
Worth checking.
Sound quality is A-

Setlist :
Firebird Suite
Siberian Khatru
I've Seen All Good People
Mood For A Day
Heart Of The Sunrise
And You And I
Wakeman Solo
Yours Is No Disgrace

Lins on comments!


2000 - Legendary Works

June 21, 2000
Concord, California, USA
Masterworks Tour

By 2000, Yes had lost Billy (who had seemed increasingly unneeded anyway), but didn't have a new album out. Therefore my expectation was for a retread tour of old material (as OYE had largely been), with Kansas as freebie opener. This turned out to be more-or-less the case, but I would not have guessed they'd choose this particular material!
And what songs! "Close to the Edge" to start! And "Starship Trooper" to follow! What could be next? Not -- "Gates of Delirium"! This wasn't a concert; this was a 'take no prisoners' blitzkrieg; I remember thinking the performance was mostly convincing -- not bad at all for the second day of the tour. "Leaves of Green" and "Heart of the Sunrise" were this show's equivalent of taking it easy before plunging into "Ritual", which built into a huge climax. Talk about stamina!
After all that, "Roundabout" and "All Good People" were familiar relief. Very much a four-star show, and I wouldn't doubt they managed five later in the tour :-)
(quoted from JPrisco)

Opener was "CTTE..." only on a tour featuring "Gates" could this be construed as an opening song! Jon had been sick and cracked a little during "I Get Up," but otherwise a fine, slightly relaxed version. An amusing quasi-recitation of "Starship Trooper" lyrics pre-tune by Jon...as often with him, seemingly delivered with a knowing wink and not too seriously. "Gates," was not as raw and anarchic as the album sounds (to me), but Jon's voice has improved tremendously. As everyone knows, this piece is as challenging as most symphonies and requires the utmost concentration; I would say Squire and Howe were flawless, with White solid but having cut down the more baroque fills almost completely.

I was actually more impressed by "Ritual," which surprised me...the lengthy, mainly wordless vocal section preceding the first verse seemed to wax and wane naturally. Squire, a narrow (from that distance) giant in black spandex, took over the stage mid - "Ritual" - he'd made pleasingly, exaggerated strides across the stage during the subsonic bass notes in "Trooper," and now seemed determined to shatter his instrument , so hard did he play it.

After that, the standard encores (ISAGP in the Jon-strummed YesWest version) may have seemed anticlimactic, but it was worth listening for Igor's interpretation of the solo in "Roundabout" - he substitutes a wild, almost Tony Kaye-esque flailing for Rick's surgical precision, to pleasing effect - and one might also find space to praise "Heart Of The Sunrise," as it is so often taken for granted. The song is much better live, and evokes a world of differing timbres and moods in 10 min... almost a precis of Yescography in one number, and a spectacular rendition this evening. I see too that I have not mentioned Steve, and it's never fair to take him for granted...he's the glue that holds it all together, especially on steel guitar.
(quoted from Alexander Jones)

Young Persons Guide To The Orchestra
Close To The Edge
Starship Trooper
Gates Of Delirium
Leaves Of Green
Heart Of The Sunrise
I've Seen All Good People

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1973 - Cans and Brahms

1973-03-21 - Live in Adelaide, Australia

This one is from the end of Close to the Edge tour.

While its not a complete show (some songs are missing and there is no crowd noise between songs) and the sound quality is about a B+, it has a few features which fans will find very interesting:
- During Siberian Khatru Steve Howe's pedal steel doesn't work so we get to hear his steel solo on regular guitar
- Also during Siberian Khatru Rick's mellotron sound for strings is not used during one section and we get to hear the choir sound instead; and later on he uses the organ instead of the mellotron until finally, I guess, it gets fixed during the end section.
- The band loses the PA during I've Seen All Good People except for the bass which continues on like nothing ever happened; the PA comes back on and the the band picks up awkwardly and starts the song over.
- Rick's solo spot pretty much mirrors the Yessongs version, but he adds Cans And Brahms in the middle

Set list:
Firebird Suite
Siberian Khatru
I've Seen All Good People
Heart Of The Sunrise
And You And I
Close To The Edge
Wakeman Solo/Cans And Brahms
Starship Trooper

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1991 - Mountain View

August 8, 1991, Shoreline Amphitheater in Mountain View, CA, USA

Union Tour is loved by many. The idea of getting 8 musicians together playing Yes music makes some people go over the moon. But to me it's not the best, actually. How can you add a second guitar in complexly structured songs such as And You And I and Heart of the Sunrise? Or play Your Is No Disgrace with two drummers? It just doesn't work that well, in my opinion.
But there are interesting points, of course. Awaken is long, and its interlude is fantastic. The solo moments are all good: Steve, Trevor, Rick and Chris can do wonders alone... but when they're all together things don't work that well.
This is from soundboard, and the quality is so good that it's often called Yesshows 1991

Set List:
Firebird Suite
Yours Is No Disgrace
Rhythm Of Love
Shock To The System
Heart Of The Sunrise
Make It Easy/Owner Of A Lonely Heart
And You And I
Drum Duet
I've Seen All Good People
Solly's Beard
Saving My Heart/Whitefish/Amazing Grace
Lift Me Up
Wakeman Solo

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1974 Long Beach

Long BeachArena, California, USA March 19, 1974

Another Tales Tour bootleg, this one has clear strenghts and weaknesses.

One of the few Tales Tour boots of good sound quality.
Steve is in a great day and his guitar is very high on the mix.
Starship Trooper (not such a common song in that tour) is played very dinamically.


Siberian Khatru, And You And I and Ritual were played but don't feature in this bootleg. Were they ever recorded? I don't know.
In some moments sound quality is not that good.

Disc one
Close To The Edge
The Revealing Science Of God
The Ancient

Disc two
Starship Trooper

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2001 - Symphonic Live

Amsterdam, 22-11-2001
Many thanks to the blog where it was originally posted and whose review was the base for mine.

This is the audio of the magnific DVD Symphonic Live, released in 2002. Nothing more than 2 hours and 50 minutes in 14 songs. Relax and enjoy, this is for dreaming.
Close to the Edge starts mind-boggling, what is Steve Howe in his guitar? No answer, just open mouths. Tom Brislim does all the keyboard parts very similarly to Rick's style, and the orchestra makes this one the only really different arrangement for this song since 1972!
Long Distance Runaround is good but nothing very different. They give it a soft approach, very different than, for example, the faster and more rocking they gave in 1978/9.
In the Presence of is divine, with the orchestra, elegant timbres, vocal harmonies, overall, Yes. One of the few recent Yes songs that are really quintessentially Yes.
The Gates of Delirium is one of the favourites of Yesfans, with the orchestra giving a new colour to the epic, and Jon singing with such a dedication, which can be called love. I must say I don't appreciate this version so much, because Steve Howe seems a little dull to me here, it seems to me as if he's not comfortable playing. But here I'm on the minority, all my Yes-friends love it so much.
Steve Howe shows, in his solo, his versatile guitar style, with reanascentism, lirism, folk and rock'n'roll. Great!
Starship Trooper is good but not essential. Magnification is another of the good songs they released on the most recent album.
And You And I gets very beautiful with the orchestra, here it does most of Rick's parts in the grandious symphonic sections, while Howe is perfect in the steel guitar.
Ritual is impressive. They play it with a lot of excitment (the contrast with "The Gates" is obvious to me) and Chris' solo is the best ever in this song! Only if the percussion solo was shorter...
Owner of a Lonely Heart is the only Yes-West song here, with its well-known riff. I must say in my opinion this arrangement is way much better than the original one, with its weird robot-like voices.
Roundabout is the last one. Steve came up with a new and good introduction, but later on they cut some parts of the song, which I don't like.

Buy the DVD if you can, but this bootleg, FORGOD'SSAKE!

Disc 1
01. Overture (Give Love Each Day) - 2'52
02. Close To The Edge - 20'30
03. Long Distance Runaround - 5'45
04. Don't Go - 5'57
05. In The Presence Of - 11'09

Disc 2
01. Gates Of Delirium - 25'33
02. Steve Howe's Solo - 7'26
a)Concerto In D Minor
b)Mood For A Day
03. Starship Trooper - 13'26
a)Life Seeker
04. Magnification - 7'26

Disc 3
01. And You And I - 14'00
02. Ritual - 30'08
03. I've Seen All Good People - 9'19
a)Your Move
b)All Good People
04. Owner Of A Lonely Heart - 6'04
05. Roundabout - 8'01

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1972 - The White Yes Album

21st January, 1972
This is one of the best bootlegs from Fragile tour. Best in sound quality and performance, because sadly "Heart of the Sunrise" lacks the first verse (but retains most of the introduction), "The Fish" is also truncated and some of the "Yours Is No Disgrace" solo has been cut out. Presumably these edits were made to fit it onto vinyl back in the day, although it's not that long - just under forty minutes in total!
Maybe Jon Anderson, song-writer and singer supreme, is responsible for that, but all YES members are brilliant on their instruments. For instance: Rick Wakeman. When you hear his solo, which is the first track on side 2, you want to buy the record without even hearing the rest of it. He plays piano, moog, organ and mellotron at the same time!
Beside that, you'll find all the best parts of the concert, such as 'I've seen all good people', 'Hearts of the sunrise' on side 1 and the Anderson composition 'Long Distance' and the wonderful 'Yours is no disgrace' on side 2.
The album is a full-music album, no long boaring talks or endless applaus, but very well (on the best equipment there is) recorded hi-fi stereo YES music.
YES made already 4 fantastic albums, this is the first 'absolutely life' album, enjoy it!

1) I'VE SEEN ALL GOOD PEOPLE - Anderson/Squire - 7.46
2) HEART OF THE SUNRISE - Anderson/Squire/Bruford - 9.50
3) RICK WAKEMAN SOLO - Wakeman - 7.38
4) LONG DISTANCE RUNAROUND - Anderson - 3.17
6) YOURS IS NO DISGRACE - Anderson/Squire/Bruford/Kaye/Howe - 8.05

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1978 - Live at Cleveland (Richfield)

1978-09-19 Cleveland (Richfield) Ohio USA
(Radio Soundboard)

Hearing this bootleg and the one from Wembley, I'm convinced that the Tormato tour was the best one in Yes history... set list is perfect (perhaps just too many Tormato songs, but they're short), and the Medley is unbeliavable! Long Distance faster, Fish with all the band playing awesome, quoting Survival and The Ancient, Perpetual Change very dynamic and Soon giving a beautiful end...
In this particular show, the best ones are On the Silent Wings of Freedom, in a slightly shorter and better version, and Starship Trooper, with a great job by Rick, with some new and good solos in the Disillusion part. Wurm is not as long as it was in 1977.
Take a look at the beutiful way how Madrigal moves into Clap. This is one of the very few times Madrigal was played live.

Disc 1
1 Close Encounters / Siberian Khatru
2 Heart Of The Sunrise
3 Future Times / Rejoice
4 Circus Of Heaven
5 Time And A Word / Long Distance Runaround / The Fish / The Ancient / Survival / Perpetual Change / Soon
6 Don't Kill The Whale
7 Madrigal / The Clap

Disc 2
1 Starship Trooper
2 On The Silent Wings Of Freedom
3 The Six Wives Of Henry The 8th
4 Awaken
5 I've Seen All Good People
6 Roundabout

Ps: Geoff Dunn, on Forgotten Yesterdays, says: In the Medley, as "The Gates of Delirium" goes into "Soon", Jon Anderson misses his cue! The rest of the band cover the faux pas extremely professionally and Jon comes in on the next bar. Most in the audience probably didn't even notice the mistake!

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1988 - Live in Houston

Houston, Texas, USA
February 19, 1988

This is one of the best bootlegs from Rabin era. The show must have been great, and the acoustics of the place too, because some songs were used in the box The Word is Love and the bootleg was pressed many times, under different names (
Live USA, Yesshows'88, etc). The one here is called Big Generator Show & Rare Tracks and has a cover I'm not putting here as it's horribly ugly.
The show was good, with good renditions of songs from 90125 and Big Generator, but also good playing on old songs, such as And You And I and Heart of the Sunrise. I think Rabin was much
better playing Howe songs here than in 90125 tour.
My personal favourites are Rabin solo, Solly's Beard, here simply called "Instrumental" and Yours is no Disgrace, with a good rock'n'roll energy from the whole band.

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Steve Howe solo carreer

Today I'm posting some recent albums from Steve Howe solo career. Most of his compositions are instrumental and guitar-based. That's wise, as his voice as a solo singer is not good...
My focus is on Yes material and not on released albums, but as all of these albums are pretty hard to find on stores or on the internet (I had to upload Skylines, and the other links were not easy to get) I'll put them here. Hope you like.

Skyline (2002)

- Steve Howe / guitars, bass, keyboards
- Paul Sutin / keyboards, percussion

Steve Howe is a world-renowned guitar virtuoso with the great progressive rock group Yes. Probably only the most devoted fans realize that there is much more to him than just being a guitar player for that band. He is a venerated solo artist as well. On his latest effort "Skyline", HOWE proves to be an adept six-string maestro by combining jazz, rock, and strong Latin influences into intricate and dazzling instrumental compositions.
If you want to relax in front of the open fireplace (or the central heating for the less wealthy), this CD is yours: sensitive guitarplay (electric and acoustic, often with a jazzy feel) and soaring keyboards, sometimes evoking Mike Oldfield.
(taken from progarchives)

Natural Timbre (2001)
- Steve Howe / guitar (acoustic), banjo, bass, dobro, guitar, mandolin, percussion, autoharp, guitar (bass), guitar (12 String), koto, mandola, mandocello, Hawaiian Lap Steel guitar
- Andrew Jackman / piano, Glockenspiel
- Anna Palm / violin
- Dylan Howe / drums

Here's probably the best Howe album... All the songs are acoustic, but he can make them very different one from another, using Mandolin, Banjo, several acoustic guitars, violin(played by Anna Palm). The whole album is very calm, perfect for reading, and he makes blues (Intersection Blues, to me the best track), Jazz (Dream River), and ambient music ( Distant Seas)... The disc has songs for all my moods. The Yes songs, in my opinion are all excelent: Your Move's extremely beautiful melody is made better, and the recorders are so calm and soft; Disillusin (from Starship Trooper) is outstanding, very emotive; To Be Over is a masterpiece, with amazing Glockenspiel, and a totally different atmosphere from the original. They are all as good as the originals.

Pulling Strings (1999) (Live)
- Steve Howe / acoustic guitars (1,7,13,15,16), electric guitars (13,16), string pad (7), hi hat (7), lute (9), keyboards (9,13,15), bass (9,13,16), tambourine (9), drum machine
- Phil Spalding / bass on track 1
- Stuart Elliott / drums on track 1

(...)One of those Beginnings tunes, "Pleasure stole the night", appears on PULLING STRINGS, unplugged (like most of the material here), and although its lyrics still don't make sense, it's heartwarming, it really makes you feel as if you just got to know Steve a little better.
Same with the Yes tunes. Once again, you'll have to forgive Steve his well-known limitations, but even so, I feel he makes a decent job of "Soon", "Turn of the Century" and the slow bit from "Close to the Edge". It certainly casts a totally new light on the pieces to hear them performed by someone who was intimately involved in their conception. If Steve played them the way he does here in MY local bar, I'd weep - and not even with frustration.
Steve's instrumental bits, I trust, won't cause anyone any trouble; they're fun as usual. But then, at the end of the programme, Steve suddenly grabs an electric guitar and lets rip with "My white bicycle", a Tomorrow classic I'd never heard before. Judging from its performance here, people, it's a TREMENDOUS tune!

(taken from progarchives)

Spectrum (2005)
- Steve Howe / guitars
- Tony Levin / bass
- Dylan Howe / drums
- Oliver Wakeman / keyboards
- Virgil Howe / keyboards

Steve Howe is the master of diversity on the six-string. With his new CD he covers the entire musical "Spectrum" and beyond. The entire album is instrumental and he certainly makes an immense statement without any vocals added to each track. There is no need for his YES band mates Anderson and Squire to add any vocals to this mix; it is a complete masterpiece without that element present. Rick Wakeman’s son Oliver and his own two talented offspring, Dylan and Virgil, join Howe, which is a stunning combination of the old guard and the new blood emerging from the YES family. Howe is one smart cookie, he has bass player supreme Tony Levin is in the studio for the sessions to round out his resonating guitar oriented compositions. God knows how Levin finds the time to play on all of the projects he does. He is simply incredible.
(...) Songs like “Tigers Den” and “Realm Thirteen” have irresistible hooks and rhythms that are as unique as they are inviting. (...)
Howe is equally adept with the acoustic or electric guitar, hence his ability to rock and play softer more jazz Latin inflected numbers to enhance your listening experience and make it an all around instrumental voyage through several different styles. I have a fondness for prog-rock and jazz fusion, whether it is acoustic or electric it does not really matter to me, I simply love it all. You hear will jazz, rock, country, blues, or combinations of them all in electric and acoustic settings during the course of Howe’s brilliant compositions. This is guitar 101. If you are an avid listener of the Howe repertoire o
r wish to study one of the more diverse and incredible guitar players on the face of the earth today, check out "Spectrum" now.
(from progarchives)

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1998 - Live in Santiago

You like Chris Squire? So this show is for you. Similar to the Budapest show recently posted here, this one has a mix that privileges the bass. It is very loud, and Chris's performance is astonishing.

So this show has my favourite ever live version of Heart of the Sunrise. I just can't explain the sound of the bass in this song here. It has to be heard to be believed.

Other good moments are Rhythm of Love, which, amazingly, became a very good song in this tour, and Roundabout, with Chris's classic bass lines played very loud.

Audio is good, though Steve and Igor are sometimes not very audible for the bass's loudness. The only recording flaw is in Steve's acoustic solo, some seconds are missing. A pity, for he was doing a great solo.

Set list:

Firebird Suite
Siberian Khatru
Rhythm Of Love
Open Your Eyes
And You And I
Heart Of The Sunrise
Mood For A Day/Winter/Guitar Boogie/Clap
From The Balcony
Wonderous Stories
Khoroshev Solo
Long Distance Runaround/Whitefish/Alan White Solo/Sound Chaser
Owner Of A Lonely Heart
Santiago Jam
I've Seen All Good People
Starship Trooper

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2003 - Special Requests Night

Live At The International Forum, Tokyo, Japan
September 15, 2003

This bootleg is very similar to Live at Montreux. Rick Wakeman shows us what he would have done if he had recorded Magnification, and they really make In the Presence Of become a new classic song. But the second half of the show is better, with the band more excited and playing with more emotion. On the Silent Wings of Freedom shows a perfect groove and combination between Chris Squire and Alan White. Awaken is really uplifting, and after that, they played Owner of a Lonely Heart, for the first time in the tour, as a respected Japanese promoter requested that song. They play really tight in this one, with very good keyboard solos from Rick.

set list:
Disc 1:
01 - Opening (Firebird Suite)
02 - Siberian Khatru
03 - Magnification
04 - Don't Kill The Whale
05 - In The Presence Of
06 - We Have Heaven
07 - South Side Of The Sky
08 - And You And I
09 - To Be Over
10 - Clap

Disc 2:
01 - Second Half Opening
02 - Tulip
03 - Show Me
04 - Wakeman Solo
05 - Heart Of The Sunrise
06 - Long Distance Runaround
07 - Whitefish
08 - On The Silent Wings Of Freedom
09 - Awaken
10 - Owner Of A Lonely Heart
11 - Roundabout

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Close to the Edge and The Gates of Delirium - Studio Run-throughs

In the last years, many re-releases of Yes albums have featured as bonus tracks studio run-throughs, former versions of the songs that would still be modified before being released. Today I'll put here two studio run-throughs, of Close to the Edge and The Gates of Delirium.
Close to the Edge is generally the same, but there are many missing points. Since the beginning, for the first introduction, with the sounds of nature and birds, is inexistant! later, there are a few changes in lyrics and instrumentation, but the song is mostly the one we're accustomed with.
The version of The Gates of Delirium is much more distant from the final arrangement. Jon was still writing the lyrics, so he sung some "la-na-nas" and there's an amusing part where he improvises: "instant call that soils the sandwich (...) and we fight all to the devil, in regardness of the cats". If some critics say Jon often has no idea what he's singing about, I imagine what they'll say of that!
The song is overall very different, with louder drums(!) and less keyboards. The last part, Soon, is absolutely another one, with drums, electric rhythm guitar and almost no steel guitar. It lacks the calm and beauty of the one we know so well.
Listening these two studio run-throughs is very interesting, first to give us an idea of the band's process of composition, and also to remind us how both songs were so well and carefully produced, and sometimes a slight detail missing can spoil its greatness.

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1998 - Live in Budapest

March 31, 1998
Soundboard bootleg (there was a television broadcast, but I could never find it)
The keyboards are very loud on the mix, so here we can hear well the work of Igor Koroshev, and man, he rocks! His playing in songs such as The Revealing Science of God and America is much better than everything he did on studio with Yes.
My personal favourites here are Heart of the Sunrise and America. Both had, in my opinion, their best ever live renditions on this tour. Heart of the Sunrise with Chris at his absolute best, doing and awesome and more improvised bass "solo" and also Alan playing fantastically, doing the odd and variating drum beats as well as Bill on the original from Fragile. America is my second favourite, with Koroshev shining in the organ and occasional piano and mellotron. The whole band plays very tightly here.
Also keep an eye open for Long Distance Runaround, with good piano, and Whitefish, with Chris and Alan playing The Fish, Tempus Fugit and Sound Chaser (these two are better here than on th Montreux DVD)

Set list
Part 1
Firebird Suite
Siberian Khatru
Rhythm Of Love
Open Your Eyes
And You And I
Heart Of The Sunrise

Part 2
Mood For A Day
Diary Of A Man Who Vanished
From The Balcony
Wonderous Stories
Khoroshev Solo
Long Distance Runaround

Part 3
Owner Of A Lonely Heart
The Revealing Science Of God
I've Seen All Good People

Links on comments!

Update on July 2009: I found out the whole show is at Youtube!
The first video below (brought to me by an anonymous visitor of the blog) has a good image, while the second has worse image but links to the whole show)



1980 – Live in Boston

09/09/1980 – Boston Garden, MA, USA

In 1980 Yes did their only album without Jon Anderson. Many people hate this album and many people love it. Both with good reasons.
After Drama, Yes went to tour with this line-up. First, in North America, they found an enthusiastic and receptitive audience. Later, in Europe, they would often find audiences that hated the concerts and screamed they wanted to see the real Yes, with Jon and Rick. Incidentally, Yes would even meet a provisory end due to this.
But this show is from the beginning of North-American tour. The band was playing for just two weeks, and eager to show their new music to the audience. Boston is particularly known for its loud audience, and surely it encouraged the band to put up a better show.
About the show. Trevor Horn did a great job on Drama, in my opinion, singing well and doing things Jon wouldn't do. But he definitely wasn't the right person to sing Jon's songs live. It's so clear here. Yours is no disgrace, the first old song they perform, is rather pathetic. Some other songs, like Parallels and Roundabout, are ok with his vocals, but nothing fantastic.
Highlights are the Drama songs, particularly Machine Messiah and Tempus Fugit, with powerful and tight renditions, close to the studio ones. Another great moment is Chris's solo, featuring the religious song Amazing Grace. He takes all the feeling he can from his Rickenbacker.
Take a look also on the new songs, We Can Fly From Here and Go Through This.

Young Persons Guide To The Orchestra
Does It Really Happen?
Yours Is No Disgrace
Into The Lens
And You And I
Go Through This
Man In The White Car Suite
We Can Fly From Here
Tempus Fugit
Amazing Grace/The Fish (Schindleria Praematurus)
Machine Messiah
Starship Trooper

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Rick Wakeman – Live at State Kremlin Palace 2001

This is a bootleg recorded in Moscou, Russia, with very good sound quality and a great performance by Rick. Highlights are Catherine Parr, with more than 10 minutes and mind-boggling moog solos, and Eleanor Rigby, a good version to The Beatles' song.

Jane Seymour (from The Six Wives of Henry VIII)
Music Reincarnate (from No Earthly Connection)
Chatherine Parr (from The Six Wives of Henry VIII)
Buried Alive (from Return to the Centre of the Earth)
Eleanor Rigby (from Tribute to The Beatles)

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Jon Anderson – Live in São Paulo 2004

Complete recording of a solo concert by Jon, with tha acoustic approach that is common in his solo shows. A long set-list, with several interesting versions to Yes songs.

Harmony Will Bring You
Long Distance Runaround
Bring On The Day
Yours Is No Disgrace
Don't Think Twice
State Of Independence
O'er (Boundaires)
Your Move
This Is (Buddah Song)
Sweet Dreams
Set Sail Communication (Piano Song)
The Revealing Science Of God
Old Song - Nous Sommes Du Soleil
Show Me
I'll Find My Way Home
And You And I
White Buffalo
Owner Of A Lonely Heart
Italian Song
(bonus) Long Distance Runaround
(bonus) State Of Independence
(bonus) Roundabout
(bonus) With A Little Help From My Friends

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1971 - Live at New Haven

24 July 1971 New Haven, CT Yale Bowl

This is the register of an outstanding show by Yes, the last one from their first American tour. Keyboardist was Tony Kaye (actually he would leave the band some weeks after), and the set list has just four songs, all from The Yes Album:

1-Yours Is No Disgrace

2-Clap/ Classical Gas

3-I've Seen All Good People

4-Perpetual Change

They played so few songs because this was a double concert, they followed Museo Rosenbach. But what a great selection. The whole band plays perfectly, and highlights are many. Lots of Yes fans adore this bootleg, see a quotation from the site http://members.cox.net/teakbois/

This might be the greatest performance ever by Yes. This show got a lot of critical acclaim, which did wonders for the band. There are many different recordings of this one circulating. I consider this to be the holy grail of Yes concert recordings. Legend has it that a guy just plugged into the soundboard and no one complained. You got to just love the intensity during “Yours Is No Disgrace” and “Perpetual Change”. This is Yes at their absolute best!

Recommended for anyone who likes The Yes Album. Actually, anyone who likes Yes

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Steve Howe - Mothballs

Before joining Yes, Steve Howe had actuated in several bands, creating a great reputation in the underground scene from the late 60s. This is a compilation that shows us his work in these bands, and also as a session player.
This is an important album for those who are interested in how Steve developed his style, and for lovers of the psychedelic music that was so common in the 60s. I must warn you that this compilation has many trivial pop songs that will not change your life. Don't expect a masterpiece!

1. Maybellene - Steve Howe, The Syndicats

2. True to Me - Steve Howe, The Syndicats

3. Howlin' for My Baby - Steve Howe, The Syndicats

4. What to Do - Steve Howe, The Syndicats

5. Leave My Kitten Alone - Steve Howe, The Syndicats

6. Don't Know What to Do - Steve Howe, The Syndicats

7. On the Horizon - Steve Howe, The Syndicats

8. Stop Wait a Minute - Steve Howe, In Crowd

9. You're on Your Own - Steve Howe, In Crowd

10. Why Must They Criticise - Steve Howe, In Crowd

11. I Don't Mind - Steve Howe, In Crowd

12. Finger Poppin' - Steve Howe, In Crowd

13. So Bad - Steve Howe

14. You Never Can Stay in One Place - Steve Howe

15. Real Life Permanent Dream - Steve Howe, Tomorrow

16. Am I Glad to See You - Steve Howe, Tomorrow

17. Blow Up - Steve Howe, Tomorrow

18. Three Jolly Little Dwarfs - Steve Howe, Tomorrow

19. Revolution - Steve Howe, Tomorrow

20. My White Bicycle - Steve Howe, Tomorrow

21. Kid Was a Killer - Steve Howe, Keith West

22. Come Over Stranger - Steve Howe

23. Beyond Winter - Bodast, Steve Howe

24. Nothing to Cry For - Bodast, Steve Howe

25. Nether Street - Bodast, Steve Howe

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I have always felt that Yes fans did not use the potential of the internet as well as they could. There are several blogs about Rush, Pink Floyd, etc, but about Yes I had never seen one. So I decided to create this one. My intention is to share different Yes-related stuff, but especially live performancees of the band that were recorded by fans and never released commercially (a.k.a. bootlegs). Anyway, the blog is under construction and I accept all kinds of suggestions.
Enjoy it!